Fractured #1 – 2018: 24x24 Mixed Media on board

Fractured.

Shapes of Transcendence

Shapes of Transcendence Blue Ball 24_Mousa_2024_36x36_Oil,Gesso, On Canvas

American Landscapes.

American Landscape 45 – 2012: 65x54, oil on canvas

Portraits in Abstraction

Man with white beard_30.5"X44"_Mousa_2021_Mixed Media On Paper

Birds Without Wings/Rhythm of Life.

Birds Without Wings 7 – 2017: 20x16, ink on paper

Veil of Ignorance.

Veil of Ignorance 19 – 2016: 22x28, pages of Bible, Koran, Torah, gesso, acrylic, burlap on canvas

Transcendence.

Transcendence Orange and Green – 2017: 72x72, acrylic on canvas
Released under: CC BY-SA 4.0.

Conceal/Reveal.

Conceal Reveal 12 – 2017: 72x72, acrylic on canvas

Nabil Mousa: Abstraction, Identity, and Belonging

Nabil Mousa is a Syrian-American multidisciplinary visual artist based in St. Louis, Missouri. Known for expressive color, gestural abstraction, and layered symbolism, he creates work that explores identity, displacement, memory, and spirituality. His practice spans painting, mixed media, installation, sculpture, printmaking, performance, and socially engaged art.

Drawing on his Arab cultural heritage and lived experience, Mousa examines belonging, visibility, liberation, and the relationship between personal and collective histories. His work moves between abstraction and representation, using material experimentation to give form to emotional and cultural complexity. Questions of migration, religious authority, and personal identity become invitations to dialogue, empathy, and reflection.

His ongoing series offer distinct perspectives on these concerns. Veil of Ignorance considers spiritual exclusion and the human cost of inherited belief systems. Invisible Burka explores visibility, concealment, and liberation through paintings, installations, and performance. Shapes of Transcendence draws on Tantric Buddhist philosophy and meditative practice, while Birds Without Wings: Rhythm of Dance celebrates the resilience, joy, and cultural traditions of Syrian and Palestinian communities through silkscreen prints.

Mousa’s work has been exhibited nationally and internationally at institutions including the Arab American National Museum, CICA Museum in South Korea, Washington University in St. Louis, Foundry Art Centre, and Art St. Louis. His work has received coverage in publications and media outlets including The New York Times, Art in America, The Art Newspaper, and NBC News.

Through his studio practice and community initiatives, Mousa approaches art as a catalyst for connection and social change. His work asks viewers to consider how beauty, memory, and creative expression can deepen our understanding of one another.